The Viennese Café and Fin-de-Siècle Culture

Front Cover
Charlotte Ashby, Tag Gronberg, Simon Shaw-Miller
Berghahn Books, Jan 1, 2013 - History - 256 pages

The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.

 

Contents

Introduction The Viennese Café and Findesiècle Culture
1
Chapter 1 The Cafés of Vienna
9
Chapter 2 Time and Space in the Café Griensteidl and the Café Central
32
Chapter 3 The Jew Belongs in the Coffeehouse
50
Chapter 4 Coffeehouse Orientalism
59
Chapter 5 Between The House of Studyand the Coffeehouse
78
Chapter 6 Michaliks Café in Kraków
98
Chapter 7 The Coffeehouse in Zagreb at the Turn of the Nineteenth and Twentieth Centuries
122
Chapter 8 Adolf Looss Kärntner Bar
138
Chapter 9 Graphic and Interior Design in the Viennese Coffeehouse around 1900
158
Chapter 10 The Cliché of the Viennese Café as an Extended Living Room
178
Chapter 11 Coffeehouses and Tea Parties
199
Notes on Contributors
221
Selected Bibliography
224
Index
229
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About the author (2013)

Simon Shaw-Miller is Professor of the History of Art at the University of Bristol. He is an Honorary Associate of the Royal Academy of Music, London. His publications include: Visible Deeds of Music: Music and Art from Wagner to Cage (Yale University Press 2002), Samuel Palmer Revisited (co-edited, Ashgate 2010) and Eye hEar: The Visual in Music (Ashgate 2013). He won the Prix Ars Electronica Media.Art.Research Award in 2009.

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