The Visual Culture of Chabad

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Cambridge University Press, Oct 11, 2010 - Religion - 244 pages
This book presents the first full-length study of a vast and complex visual tradition produced, revered, preserved, banned, and destroyed by the Hasidic movement of Chabad. This rich repository of visual artifacts provides the archaeological data for an analysis of how the movement consolidated its influence during a period of political and economic transformation and survived its immigration to America in the wake of the Holocaust. As one of the most self-documented and media-preserved modern Jewish movements, Chabad's rich material culture, including the hand-held portrait, the "rebbishe" space, the printer's mark, and the public menorah, afford scholars a wider range of interpretive strategies for understanding the movement and the role of the visual experience in religion.

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we love Chabad, to understand Chabad everyone should read The Visual Culture of Chabad


New Contexts for Conventional
The RebbeHeir Portrait
R Yosef Yitzchak and the Rebbishe Photograph
Marketing the Messiah
The Geography of the Chabad World Map
Branding Buildings and Building Brand
The Battle of the Jewish Arts
Chabad and Chanukah in America
InsideOutside Chabad Visual Culture

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About the author (2010)

Maya Balakirsky Katz is Associate Professor of Art History at Touro College and on faculty at Touro's Graduate School of Jewish Studies. She specializes in the intersection of religious identity and media, particularly surrounding public protest, such as the Dreyfus Affair and the Soviet Jewry movement.

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