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by Trevor Nunn
Heightened versus Naturalistic Text
Shakespeare Setting out the Rules
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actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe Merchant of Venice metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Romeo and Juliet Rosalind round scene sense Shakespeare shape sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing