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THE RIDDLE OF MODERN MUSIC
THE COMPOSER AND SOCIETY
THE COMPOSER AND HIS AUDIENCE
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accepted achieved Arthur Honegger artist atonality audience Bach Bartok Beethoven Berlioz Brahms Bruckner Chopin chords composer's composition concept of rhythm conductor contemporary composer contemporary music creative crisis critic cultural Debussy derived dissonance Donizetti dramatic elements esthetic European music expressive fact Falstaff Haydn Hindemith Honegger instrumental music jazz kind of music Krenek layman least less listener Liszt Mahler masterpieces melody and rhythm ment modern music modern opera Mozart musi musical evolution musical history musician nineteenth century opera opera house orchestra Otello performance played polyphonic popular composer popular music poser premiere problem progress Puccini Ravel reaction rhythmic Rossini Schonberg scores sense serious composer serious music simply singer singing society sonata song Strauss Stravinsky structure style success symphony orchestra taste Tchaikovsky technical theater tion tive tonal tonal harmony tone tradition Tristan und Isolde tunes understand Verdi's Vienna vocal concept Wagner Western music Wozzeck write