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Albert Durer analysis of beauty ancients Andrea Sacchi Antinous antique Apollo appear Beau Ideal becomes body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating hand head horn idea imagination imitate kind Lamozzo length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion purpose quantity reader retiring shade riety round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted understood uniform varied variety waving line waving-line whole winding wires
Page 121 - I'd have you buy and sell so ; so give alms ; Pray so ; and, for the ordering your affairs, To sing them too. When you do dance, I wish you A wave o' the sea, that you might ever do Nothing but that ; move still, still so, And own no other function : each your doing, So singular in each particular, Crowns what you are doing in the present deeds, That all your acts are queens.
Page 68 - In them hath he set a tabernacle for the sun : which cometh forth as a bridegroom out of his chamber, and rejoiceth as a giant to run his course.
Page 13 - It is a pleasing labour of the mind to solve the most difficult problems; allegories and riddles, trifling as they are, afford the mind amusement: and with what delight does it follow the wellconnected thread of a play, or novel, which ever increases as the plot thickens, and ends most pleas'd, when that is most distinctly unravell'd?
Page 102 - With regard to character and expression ; we have daily many instances which confirm the common received opinion, that the face is the index of the mind...
Page 118 - ... of his plump partner was confined to an O, and this changed into a P, served as a hint for the straight lines behind. The uniform diamond of a card, was filled up by the flying P.
Page 14 - The eye hath this sort of enjoyment in winding walks, and serpentine rivers, and all sorts of objects, whose forms, as we shall see hereafter, are composed principally of what, I call, the waving and serpentine lines.
Page 44 - There is an elegant degree of plumpness peculiar to the skin of the softer sex, that occasions these delicate dimplings in all their other joints, as well as these of the fingers; which so perfectly distinguishes them from those even of a graceful man; and which, assisted by the more softened shapes of the muscles underneath, presents to the...
Page 15 - ... move successively with it from letter to letter, the whole length of the line: but if the eye stops at any particular letter, A, to observe it more than the rest, these other letters will grow more and more imperfect to the sight, the farther they are situated on either side of A, as is expressed in the figure: and when we endeavour to see all the letters...