The art of etching: a complete & fully illustrated description of etching, drypoint, soft-ground etching, aquatint & their allied arts, together with technical notes upon their own work by many of the leading etchers of the present time
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acid aquatint artist asphaltum bath beautiful biting bitten blankets blotting-paper burin burnisher burr Callot Chapter Charles Meryon clean colour composition copper crease dabber delicate draughtsmanship drawing drawn drypoint Drysalter Dutch E. S. Lumsden early easily edge employed engraving equally Etcher's dealer etchers etching express fibre flat Forain foul-biting Goya ground Haden hand Hosho hydrochloric acid hydrometer illustrated inch Joseph Pennell later Laura Knight Legros less lines liquid master McBey means medium Meryon metal method Methylated spirit mezzotint mildew modern mordant mount Muirhead Bone necessary needle never nitric nitric acid obtained ordinary paper plate polished portrait possible powder pressure printing probably proof Rembrandt removed resin result roller rubbed scraped seen sheet shows soft soft-ground steel stopping-out varnish student sufficient surface technical thin tone tool Whistler whole zinc