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actors adventure April 25 ART OF FICTION attempt beautiful become begin Besant speaks Besant's lecture Bostonian nymph cause for congratulation characters Charles Reade cloth conscious moral purpose critic delightful dialogue Dickens dramatic English Fiction English novel experience eyes feel field figures forces which act George Eliot give HENRY JAMES highest historical novel human interest i2mo i6mo idea illustrations imagine incident Johanna Spyri kind laws living Lorna Doone manner matter mean mind modern Music never observation one's painter Painting Pall Mall pathy picture popular published reader reality reason remarks remember romance rules seems selection sense Silas Marner sister Arts story story-telling style success sure sympathy taste taught teach tell Thackeray Thaddeus Stevens thought tion touch Treasure Island truly admirable thing truth Walter Besant women word worthy write a novel writer whose friends young novelist
Page 64 - Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spiderweb of the finest silken threads suspended in the chamber of consciousness, and catching every airborne particle in its tissue.
Page 69 - What is character but the determination of incident? What is incident but the illustration of character ? What is either a picture or a novel that is not of character?
Page 76 - The young aspirant in the line of fiction whom we continue to imagine will do nothing without taste, for in that case his freedom would be of little use to him; but the first advantage of his taste will be to reveal to him the absurdity of the little sticks and tickets.
Page 54 - It is still expected, though perhaps people are ashamed to say it, that a production which is after all only a "make-believe" (for what else is a "story"?) shall be in some degree apologetic — shall renounce the pretension of attempting really to represent life. This, of course, any sensible, wide-awake story declines to do, for it quickly perceives that the tolerance granted to it on such a condition is only an attempt to stifle it disguised in the form of generosity. The old evangelical hostility...
Page 70 - ... clear whether he intends the remarks in which he alludes to it to be didactic or historical. It is as difficult to suppose a person intending to write a modern English as to suppose him writing an ancient English novel : that is a label which begs the question. One writes the novel, one paints the picture, of one's language and of one's time, and calling it modern English will not, alas ! make the difficult task any easier. No more, unfortunately, will calling this or that work of one's...
Page 53 - It must take itself seriously for the public to take it so. The old superstition about fiction being "wicked" has doubtless died out in England; but the spirit of it lingers in a certain oblique regard directed toward any story which does not more or less admit that it is only a joke. Even the most jocular novel feels in some degree the weight of the proscription that was formerly directed against literary levity: the jocularity does not always succeed in passing for orthodoxy.
Page 75 - ... window-panes, and selection means picking a bouquet for Mrs. Grundy. They will tell you glibly that artistic considerations have nothing to do with the disagreeable, with the ugly; they will rattle off shallow commonplaces about the province of art and the limits of art till you are moved to some wonder in return as to the province and the limits of ignorance. It appears to me that no one can ever have made a seriously artistic attempt without becoming conscious of an immense increase — a kind...
Page 53 - The successful application of any art is a delightful spectacle, but the theory too is interesting; and though there is a great deal of the latter without the former I suspect there has never been a genuine success that has not had a latent core of conviction. Discussion, suggestion, formulation, these things are fertilising when they are frank and sincere.