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THE MESSIAHS APPEARANCE
GOGOL AND IVANOV
THE BIBLICAL SKETCHES
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Academy According advice Alexander Alpatov Andrey attention authorities beautiful become biblical biblical sketches CHAPTER Christ Christ's Appearance Christianity Classical color complete considered contains correspondence created critic death depicted discussion early especially exhibit expression eyes face father figures finally friends Gogol hand head Herzen historical hoped human Hyacinthus idea ideal impression Italy John the Baptist lack later Letters literary living London lvanov lvanov's painting major mark master material means Messiah's Appearance models moral Moscow nature never Nicholas Nikolay noted observed once Overbeck painting perhaps Petersburg political portrait problems progress Quoted Raphael received reflected relation religious remain remarked Renaissance response role Romantic Rome Russian art Russian artist seems serve significance sketches social society spiritual Strauss student suffering suggested technical thought Turgenev understanding universal wanted whole wrote York