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HISTORICAL AND MATERIALIST INTERPRETATIONS
THE THEORY OF THE COLLECTIVE UNCONSCIOUS
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abstract abstract art achievement agricultural analysis archaic architecture artist aspects Beowulf cathedral Cathedral of Amiens Cathedral of Chartres century Christian church Collection Museum collective unconscious complete conception concerns conflicts consciousness correlational creative critical cultural expression cultural orbits Dark Ages demons depth dragon dream dynamics earlier economic economic determinism emergent epoch esthetic evolution evolutionary examples existence experience fact factors fantasy forces forms of art forms of cultural Freud Gothic Gothic art grotesque Guernica hero historical circumstances human impulse individual influence inspired interpretation involved Leonardo Leonardo da Vinci manifest medieval mental Middle Ages monsters motivation Museum myth mythical mythology nature negative tensions Neolithic objective observation Ojibwa painting Paleolithic period phase Photo Plate point of view present psychic psycho psycho-historical theory psychoanalysis psychology realism reality regard relations religious Renaissance repressed result Sigmund Freud social society style symbols tension imagery Teutonic tion traditions types