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SUDDEN CHANGES OF TIME
vn USE OF LEFT HAND AND ARM
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Allegro arm movements artists audience balance basses beat beauty become bells BOHEME Boris Godounov CHAPTER choir choral chord choristers chorus master composer composer's Concerto conducting cor anglais correct crescendo Debussy difficulty dynamics ensemble entry example exercises fast feel final rehearsals full score give hand Handel Hansel and Gretel Haydn horns idea insist instruments interpretation legato Lohengrin marked means mind Mozart musical director musical staff musicians never nuances off-stage effects opera house orchestra orchestral pit orchestral players Parsifal passages pause perfect performance phrase pizzicato played possible practise previous bar problem producer Puccini pulse quaver question repertoire repetiteur rhythm ROSENKAV scene scenery scenic designer semiquavers sing singers slow solo sopranos sound staccato stage string student sung Symphony TANN TANN Tannhauser technique tempi tempo tenors thing time-signature tone trombones utmost violins voice Wagner whole words WOZZECK written young conductor