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CARL MARIA VON WEBER
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able achieve actual Adagio Allegro Andante art of conducting Arthur Nikisch artistic audience baton beat become Beethoven beginning Berlioz Biilow born Bruno Walter character chorus composer composition concert conductor contrast crescendo difficult direction down-beat ductor dynamics effect emotional ensemble entirely execution experience expression feeling forte gestures give Gustav Mahler hand hector berlioz important indicated influence inner instrumentalist instruments intentions interpretation leader listener Louis Spohr Mahler marked master means melody ment Menuetto meter metronome motion movement Mozart music-making musicians nature never Nikisch Ninth Symphony notes opera orchestra overture passage Paul Hindemith performance personality phrase piano piece play players possible practice precision problems realization rehearsal rendered rhythm rhythmical Richard Strauss Richard Wagner score singers singing slow solo soloist sound spirit Strauss strings style talent technical technique tempi tempo theme things tion Toscanini understand usually violins Wagner