The Creation of Art: New Essays in Philosophical Aesthetics
Berys Gaut, Paisley Livingston
Cambridge University Press, Mar 17, 2003 - Art - 295 pages
Although creativity, from Plato onwards, has been recognized as a topic in philosophy, it has been overshadowed by investigations of the meanings and values of works of art. In this collection of essays a distinguished roster of philosophers of art redress this trend. The subjects discussed include the nature of creativity and the process of artistic creation; the role that creative making should play in our understanding and evaluation of art; relations between concepts of creation and creativity; and ideas of tradition, metaphor, genius, imagination and genre. This is an important collection that will be eagerly sought by philosophers of art as well as theorists in art history, cinema studies and literary criticism.
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Some Thoughts after Kant
Creativity and Imagination
Explanations of Creativity
Culture Convention and Creativity
Art Creativity and Tradition
1o Elster on Artistic Creativity
List of Contributors
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active creativity aesthetic aesthetic value aims appear argues artistic creativity artworks audience beautiful Bertie Wooster Blonde Venus cartoon Catherine claim cognitive concept constraints contour conventions create creation of art creative act creative process critical Critique of Judgment Cupid depiction Dietrich discussion Don Pasqual drawing Elster essay evaluative sense example explain expression fictional characters film free play function genre human Ibid important individual instance intention intentionalism interpretation involves Jerrold Levinson Johannes Vermeer Jon Elster Journal of Aesthetics Kant Kant's Kendall Walton kind Levinson literary marks Marlene Dietrich means metaphor-making metaphors metaphysical mind narration narrative nature novel Novitz object ontology originality Over-soul painting pentimento perception philosophical picture primitives possible practice production properties question R. G. Collingwood relation relevant representation Richard Wollheim role rules Scarlet Empress shape sort spatial Sternberg suggest theory things thought tion understanding Vermeer visual Willats