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Shelleys The Cenci
Byrons Cain and Werner
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Abel acter action in character Adah Asolo audience Beatrice Beatrice Cenci Beatrice's Becket Blot brother Browning's Byron Cain Cain's Cenci classical conflict critics death dramatic action dramatic form dramatist Elizabethan English drama episodes essay evil Experimental Drama external father Gabor Gothic guilt Henry Henry Irving hero human incest innocence internal action ironic Irving jective Jules's king Lord Lord Byron lover Lucifer Lucifer's lyric M. H. Abrams Macready Manfred Maud Maud's melodrama Mertoun Mildred Mildred's mind modern drama Monsignor moral motivation murder myth neoclassic never nineteenth-century Orsino Ottima passion Percy Bysshe Shelley Phene Pippa Passes play plot poem poet poetic popular protagonist psychological rape reality remorse Robert Browning romantic Rosamund scene Scutcheon Sebald sense Shakespeare Shelley Shelley's social soul spirit stage Stralenheim structure symbol Tennyson theater thee thou tion traditional tragedy tragic Tresham University Press well-made Werner William Charles Macready writing wrote York