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TANCE AS AN EFFLCTIVE FORAL PRINCIPLE
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accepted according achieve action Antony Antony's argument audience authority Beaumont become briefly cause character charity Christian Cleopatra comedy concerned confession consequences considered consistent conventional course criticism death defined definition direct divine doctrine dramatic effect elements Elizabethan essential established ethical example experience fact faith fall fear feeling final forgiveness give grace hath heart heaven human important intention interpretation Isabella judge judgment justice kind King knowledge live means Measure method moral nature never noted object pardon passion penance person play plot Press principle problem proper question reason received reference relationship repentance respect rhetoric scene seems sense sentimental Shakespeare sinner sins situation soul speech structure thee things thou thought traditional tragedy tragic true turn understanding University values virtue whole