The forms of color: the interaction of visual elements
Swiss artist and designer, Karl Gerstner draws on artistic literary, and scientific sources, as well as on his own studio work to investigate the basic visual elements of color and form. Inspired by Wassily Kandinsky, Gerstner explores the ideas of continuous and evenly measured changes in the three dimensions of color - hue, tone, and saturation.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
abstract artist axis Basel blue chapter circle color circuit COLOR FORM MODEL Color Signs color sphere color tone colors and forms complementary colors complete correspondences David Hilbert degrees diagonal Euclidean Euclidean geometry example expression form system formal structure Forms of Color fractal geometry gray green Harmony Hertz X Pi hexagon Hinterreiter Hinterreiter's history of geometry inscribed intersections Islamic Islamic art Kandinsky's light lines plus pencil Mandelbrot mathematics mosaic Munsell musical network organ Network type 1.1 Nitrocellulose on plastic non-Euclidean Non-Euclidean geometry opus 91 original oscillations Ostwald's theory parallel lines parameters pencil of concentric pencil of curved pencil of parallel pencils of lines perception Philipp Otto Runge picture planes plastic plates 600 produced pure regular polygons Runge's sensation shows sonorous figures straight lines Theo van Doesburg theory of forms tion triangle uniform color space violet visual elements Wassily Kandinsky Wilhelm Ostwald Wyszecki yellow