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ORCHESTRAL INSTRUMENTS IN THE SEVENTEENTH
SIXTEENTH CENTURY EARLY EFFORTS
PURCELLSCARLATTI THE FOURPART STRING
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accompanying amongst appear B-flat balance of tone bass basso-continuo bassoons Beethoven Berlioz blend Brahms brass group brass instruments choral chromatic clarinet clarino clef colour combination compass concert contemporaries contrapuntal contrast cor anglais cornets cornetti crooked double-basses drums early eighteenth century Example figure five-part flutes French full scores German Gluck Handel harmonic harps Haydn Haydn and Mozart horns and trumpets instru Italian keyboard-instruments keys Lulli melodic ments Meyerbeer mid-century modern orchestration Monteverde's movement Mozart musical matter nineteenth century oboes and bassoons occasionally octaves open notes opera ophicleide orchestral effect orchestral music orchestration overture Paris percussion instruments period piccolo played players polyphony progress Ritornelli Scarlatti seventeenth century sixteenth solo sound Strauss string instruments string music string orchestra style symphony technique tenor texture timpani tone-colour treble trombones Tschaikovsky tuba unison valve variety Vienna violas violins violoncellos viols vocal voices Wagner wind instruments wood-wind instruments writing written