The last judgment: Michelangelo and the death of the Renaissance

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Palgrave Macmillan, Jun 23, 2009 - Art - 233 pages

Painted on the altar wall of the Sistine Chapel, 28 years after Michelangelo completed the glorious and hopeful ceiling, The Last Judgment is full of stark images depicting the End of Days. James Connor uses the famous fresco as the lens by which to view the end of the Renaissance, arguing that Michelangelo's imagery and composition reflect the religious and political upheavals of the time.

Combining his flair for storytelling with incisive historical analysis, Connor demonstrates how the Counter-Reformation arose from the ashes of Renaissance Italy, and how that sea change altered the course of Western history.

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The last judgment: Michelangelo and the death of the Renaissance

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Connor (Pascal's Wager: The Man Who Played Dice with God) delivers a fresh examination of the historical, social, religious, and biographical contexts in which Michelangelo created The Last Judgment ... Read full review

Contents

The Naked and the Dead
163
Further Reading
211
Index
227
Copyright

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About the author (2009)

James A. Connor is currently a professor of english at Kean University and a former Jesuit priest. He is the author of three books: Silent Fire, Kepler’s Witch and Pascal’s Wager. He lives in Rahway, New Jersey.