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45 cents Achilles admiration Alexander Johnston allegory ancient angels antique appeared artist Bacon Banks beauty bust bust sculpture carved character Chatsworth chisel Church Cibber clay Damer daughter designs dignity divine drapery drawings Duke Edward Walpole elegance Elgin marbles eminent executed exhibited fame father favourite feeling figures Flaxman gallery gave genius Gibbons Gothic grace Greece groups guineas hand head hero Hesiod Homer honour Horace Walpole imagined imbody Italy John Flaxman Joseph Nollekens labour lady living look Lord Lord Castlereagh loved magnificent marble ment merit Michael Angelo mind monu monument nature never noble Nollekens ornaments painter painting pedestal person Phidias plaster poet poetic poetry portrait pounds Rome Roubiliac Royal Academy says sculp sculptor seems sentiment simplicity sketches skilful skill spirit splendid statue talents taste thing thought thousand guineas tion ture Venus Walpole Westminster Abbey wife Wilton workmanship
Page 55 - The other shape, If shape it might be called that shape had none Distinguishable in member, joint or limb; Or substance might be called that shadow seemed; For each seemed either; black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart; what seemed his head The likeness of a kingly crown had on...
Page 6 - In good earnest the very frame was worth the money, there being nothing in nature so tender and delicate as the flowers and festoons about it, and yet the work was very strong; in the piece were more than 100 figures of men, &c.
Page 12 - There is no instance of a man before Gibbons who gave to wood the loose and airy lightness of flowers, and chained together the various productions . of the elements with a free disorder natural to each species.
Page 271 - Yclad in mighty arms and silver shield, Wherein old dints of deep wounds did remain, The cruel marks of many a bloody field ; Yet arms till that time did he never wield : His angry steed did chide his foaming bit, As much disdaining to the curb to yield : Full jolly knight he seemed, and fair did sit, As one for knightly jousts and fierce encounters fit.
Page 226 - ... them the figure of their deliverer in the well-earned triumph of his important victory, from the whole of that grave multitude there arose an involuntary burst of gratitude and transport They jumped upon him, like children on a long absent father.
Page 6 - I questioned him why he worked in such an obscure and lonesome place; he told me it was that he might apply himself to his profession without interruption, and wondered not a little how I had found him out.
Page 297 - But we possess in England the most precious examples of Grecian power in the sculpture of animals. The horses of the frieze in the Elgin collection appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and legs seem distended with circulation; in them are distinguished the hardness and decision of bony forms, from the elasticity of tendon, and the softness of flesh. The beholder is charmed with the deer-like lightness and elegance of their make, and...
Page 308 - John Flaxman, RAPS, whose mortal life was a constant preparation for a blessed immortality : his angelic spirit returned to the Divine Giver on the 7th of December, 1826, in the seventy-second year of his age.
Page 157 - This draws new clients daily, to my house, Women and men of every sex and age, That bring me presents, send me plate, coin, jewels, With hope that when I die (which they expect Each greedy minute) it shall then return Ten-fold upon them; whilst some, covetous Above the rest, seek to engross me whole, And counter-work the one unto the other, Contend in gifts, as they would seem in love...