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Chapter Two The Marginalization
Table 1 Conceptual Levels
Chapter Three Universalism in Arts
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acceptance affiliation American Indian artists American Indian Arts Anthropology archetype art appreciation articulation artist's role arts institutions arts market arts world assertion audience autodidactism choice concept concern contemporary American Indian contemporary Indian contemporary Native contradiction criteria cultural artist cultural arts d'Azevedo David Bradley defined demonstrated describes Emmi Whitehorse ethnic art exclusion factor freedom Fritz Scholder gallery Heard Museum Hispanic historic ideas identified identity ideology important inclusion individual individualistic Institute of American judgements Kris and Kurz LaFountain living mainstream manner Martin Puryear Mateo Romero McEvilley Meeden multicultural Museum myth Native American art Native American artists native artists native arts Navajo non-Indian norms notions one's painting perceived person political present Pueblo response Rick Hill role conflict Romero Santa Clara Pueblo Santa Fe sculpture social society standards stereotypes Swentzell things tourist traditional tribal universal aesthetics values variables warrior Western Whitehorse Whitehorse's