The Performance of Jewish and Arab Music in Israel Today, Part 1
Taylor & Francis, 1997 - Music - 98 pages
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
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THE PERFORMANCE OF JEWISH
Havurot Hazemer in Israel
The Performance of Arab Music in Israel
Ashkenazi Liturgical Music in Israel Today
Music and Cantillation in the Sephardi Synagogue
Notes on Pronunciation
Notes on Contributors
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Academic Publishers Photocopying accompaniment amateur choirs Amsterdam B.V. Published Arab Music Arab Music Orchestra Ashkenazi audience Aviv Baqqashot Beit broadcast cantors Center choir community singing composers compositions concerts conductors congregation cultural dance ensemble established European Ezra Aharon festival Haifa Hasidic Havurah Havurot Hazemer hazzanut Hebrew songs Hebrew University High Holy Days immigration instruments Israeli society Israeli songs Jerusalem Jewish music Jews Kibbutz Kibbutz movement kibbutzim Klezmer Kol Yisrael Koussevitsky license only Printed liturgical music Maqam Maqamat melodies Music Example Music in Israel musical activities musical director musicians Nazareth Netherlands Reprints available nusah occasions Oriental Orthodox Palestine participants Passover performed permitted by license piano played popular prayer Printed in Singapore programme publisher by Harwood Publishers Photocopying permitted Rabbi radio recordings rehearsals religious Renanot repertoire Reprints available directly Sabbath schools Sephardi Jews Sephardi synagogue Shabbat singers social Song Groups style sung Tel Aviv vocal Yehuda Alharizi Yishuv
Page 100 - Recently Smith & Jones (1987) . . ." If a publication has more than three authors, list all names on the first occurrence; on subsequent occurrences use the first author's name plus "et al." Use an ampersand rather than "and" between the last two authors. If there is more than one publication by the same author(s) in the same year, distinguish by adding a, b, c etc. to both the text citation and the list of references (eg "Smith, 1986a") References should be collected and typed in alphabetical order...
Page 100 - Figure 1" etc., and the recommendations above for preparation and sizing should be followed. Examples must be well prepared and of a high standard for reproduction, as they will not be redrawn or retouched by the printer. In the case of large scores, musical examples will have to be reduced in size and so some clarity will be lost. This should be borne in mind especially with orchestral scores. Notes are indicated by superior arable numerals without parentheses.