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SPRING 2002 172
Raiford Guins FROM SENSELESS ACTS OF VIOLENCE TO SEAMLESS
Aura Satz PUPPETS AND PROSTHESIS
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aesthetic amputees articulation artist autobiography base materialism Bataille's becomes Bernard Stiegler bodily body tracing body without organs characterises complex concept conspiracy theory constituted contemporary critique dance Deleuze-Guattari desire desiring-machine dialectic digital cinema digital compositing Disability discourse distinction economic editing essay Eyes Wide Shut feminism figure film censorship Firestone Firestone's flux of consciousness foam formation function gender Georges Bataille human Ibid Kant Kleist Krauss London machine Marc Quinn marionette Mark Wigley matter mechanical memory modern movement object operation organic organico-technical originary Orlan painting phantom limb photographs Pinocchio political possibility practice production prosthesis prosthetic body psychoanalysis puppet question reading relation representation reproduction Robert Rauschenberg Rosalind Krauss sculptural design secondary retentions sexual difference Shulamith Firestone Sigmund Freud simply Skin Ego social space Stiegler suggests synthesis technical trans transcendental transfer drawing uncanny unity University Press visual women writing York