The Psychology of Clothes |
Contents
THE FUNDAMENTAL MOTIVES 15 | 11 |
DECORATIONPURPOSIVE ASPECTS | 25 |
DECORATIONFORMAL ASPECTS | 35 |
Copyright | |
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actual adopted aesthetic appear aroused aspects associated attire attitude beauty become bodily Borghese Collection castration castration complex chapter civilised collar colour consideration corresponding costume course crinoline desire display distinction effect elements Ernest Jones erotic essential exhibitionism exhibitionistic exposure extent fact factors fashion feeling female forms of decoration function garments genital Gerald Heard greater Haute Couture Havelock Ellis hobble skirt homosexual human hygienic ideal importance individual influence inhibition instance interest kind Knight Dunlap legs less Loie Fuller male manifestations matter men's dress ment modern modesty modish moral motive movement naked body nakedness Narcissism nature ornamental perhaps persons phallic symbolism phallus pleasure point of view possible present primitive principle protection psycho-analytic psychological realisation recent reform regard relatively sartorial satisfaction seems sexual skin skirt social Stratz style sublimation super-ego tendency tends tion trousers unconscious uniforms waist wear wearer whole woman women worn