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FOREWORD by Sir Ernst Gombrich
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achieved aesthetic antique areas art historians artists brush canvas Caravaggio Carlo Cesare Malvasia cleaning colours Comte de Caylus conservation contemporary damage dangers dark darkened dealers Degas Delacroix E. H. Gombrich effect eighteenth century Ernst Gombrich example film finish fragile film frequently fresco glazes Gombrich hand impasto Impressionists Italian Jacob Burckhardt Kings College Cambridge layers Leonardo less light London look masterpieces materials means medieval medium methods modern museum National Gallery natural nineteenth century oil painting old master paintings old paintings old varnish once original over-cleaning painted surface painters panel Paris particularly past patina Pentimenti period photography picture pigments portrait possible problem produced Raphael's relining removed Renaissance repainted resins restoration restorer's retouching Rubens Ruhemann scientific Sebastiano del Piombo seen seventeenth century solvents sometimes studio style technical technicians techniques texture tion Titian tonal tone transparent treatment twentieth century varnish Venice Vermeer whole X-ray yellow