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The Stronger: Opera in One Act - Scholar's Choice Edition
No preview available - 2015
American Anna Apulia Arthur Schnitzler artist August Strindberg beautiful Borromaus brother called Chaucer child comes Cousin Oginski Dimitri Dortka drama dramatists dream drink Elga's eyes father feel Flowre Frau garden German give goes Goethe Grischka hand happy Haus Hausdorfer heart Hein Heinrich Horace human Hyperion Ibsen Ibsen's influence Isoult kisses lady laugh literary literature Little Elga live Longfellow look Maecenas Marina master mediaeval Mlle modern short story Monk mother never Nibelungenlied night Novalis novel Nurse original Petrus Alphonsus plays poem poet poetry romance romanticism scene serf Servant Shakespeare short story short story writer sire song soul spirit stanza Starschenski Steward tell thee things Thomas Hill Green thou thought Timoska tion Tobias Tobit translation Tristram Uhland Warsaw wife wine worshipful sir young
Page 69 - Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city stretched its hand through every clime.
Page 65 - WHEN the hours of Day are numbered, And the voices of the Night Wake the better soul, that slumbered, To a holy, calm delight; Ere the evening lamps are lighted, And, like phantoms grim and tall, Shadows from the fitful fire-light Dance upon the parlor wall; Then the forms of the departed Enter at the open door; The beloved, the true-hearted, Come to visit me once more...
Page 66 - And with them the Being Beauteous, Who unto my youth was given, More than all things else to love me, And is now a saint in heaven. With a slow and noiseless footstep Comes that messenger divine, Takes the vacant chair beside me, Lays her gentle hand in mine. And she sits and gazes at me With those deep and tender eyes, Like the stars, so still and saint-like, Looking downward from the skies.
Page 70 - O poet saturnine! And strive to make my steps keep pace with thine. The air is filled with some unknown perfume; The congregation of the dead make room For thee to pass; the votive tapers shine; Like rooks that haunt Ravenna's groves of pine, The hovering echoes fly from tomb to tomb. From the confessionals I hear arise Rehearsals of forgotten tragedies, And lamentations from the crypts below And then a voice celestial that begins With the pathetic words, "Although your sins As scarlet be...
Page 69 - And at night the swart mechanic comes to drown his cark and care, Quaffing ale from pewter tankards, in the master's antique chair.
Page 64 - Keep not standing fixed and rooted, Briskly venture, briskly roam ; Head and hand, where'er thou foot it, And stout heart are still at home. " In what land the sun does visit, Brisk are we, whate'er betide : To give space for wandering is it That the world was made so wide.
Page 67 - O holy Night ! from thee I learn to bear What man has borne before ! Thou layest thy finger on the lips of Care, And they complain no more.
Page 71 - And strive to make my steps keep pace with thine. The air is filled with some unknown perfume; The congregation of the dead make room For thee to pass; the votive tapers shine; Like rooks that haunt Ravenna's groves of pine The hovering echoes fly from tomb to tomb. From the confessionals I hear arise Rehearsals of forgotten tragedies, And lamentations from the crypts below; And then a voice celestial that begins With the pathetic words, "Although your sins As scarlet be,
Page 58 - I was a schoolboy when it was published, and read each succeeding number with ever increasing wonder and delight, spell-bound by its pleasant humor, its melancholy tenderness, its atmosphere of revery, — nay, even by its gray-brown covers, the shaded letters of its titles, and the fair clear type, which seemed an outward symbol of its style.
Page 79 - Lucida tela diei: these are the words that come into one's mind when one has halted at some stubborn perplexity of reading or interpretation, has witnessed Scaliger and Gronovius and Huetius fumble at it one after another, and then turns to Bentley and sees Bentley strike his finger on the place and say thou ailest here, and here...