The Taming of the Shrew

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Cambridge University Press, 2002 - Drama - 258 pages
3 Reviews
The story of Katherina Minola and her marriage to Petruchio has been popular in the theatre for four centuries. The Taming of the Shrew's ongoing appeal is easy to understand - it offers almost production-proof farce, plus the perennially popular joke of the battle of the sexes - but Katherina's story, and the joke of taming an unruly woman have become increasingly controversial. This edition of The Taming of the Shrew examines how theatre directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames that of Katherine. The edition surveys a wide variety of theatrical interpretations of the play in the English-speaking world, particularly in the UK, North America, and Australia and New Zealand. It informs readers about precise details of the stage action in the context of contemporary theatrical, social and political conditions.
 

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User Review  - birdie.newborn - LibraryThing

An adventurous take on Shakespeare's usual headstrong woman, in this case subdued, at least until the play's end — though the last scene suggests that her fire is not put out by any means. A marriage made in hell, perhaps. Read full review

Contents

List of illustrations
viii
Series editors preface
ix
Acknowledgements
xi
Editors note
xiii
List of abbreviations
xiv
List of productions
xv
Introduction
1
The Taming of the Shrew and commentary
77
Sly Interludes from A Shrew
236
spinoffs and adaptations
238
Bibliography
241
Index
251
Copyright

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About the author (2002)

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

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