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MUSIC AND TIME
LINEARITY AND NONLINEARITY
THE IMPACT OF TECHNOLOGY
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accent actually analysis beats becomes beginning cadence Cell Sequence Chapter chord close complex composers composition connections consider consistency contains context continuity create defined despite determined discontinuity discussion downbeat duration earlier entire Example exist expect experience feel Fibonacci final function gestural goal harmony hear heard hierarchic hypermeasure ideas implied important internal length less linear listening major means measures melodic memory meter metric metric accent moment moments motion motive move movement nonlinear occurs opening Opus particular passage pattern perceived perception performance phrase piece pitch possible present progression proportions psychologists ratio reason reference regular relationships remembered rhythm rhythmic Section seems sense shows similar sound starts static Stravinsky's strong structure subjective Submoment succession suggest Symphonies temporal texture Theory third tonal tonic understand University vertical