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White Man Sleeps 1985
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aesthetic African music album American apartheid artistic Belfast Black South Africans borrowed bourgeois Cardew's music chapter chorus colonial composers composition concept contemporary Cornelius Cardew criticism critique cultural feminism cultural forms Dance discussed dominant East is Red edited European example Experimental Music feminism feminist Graceland Heyokas History Hunting idea identity ideology individual instruments interview with author Irama isicathamiya isicathamiya music John Kevin Volans kind Ladysmith Black Mambazo Leaning listeners London mandala marxian Mbira meanings melody movement musicians Northern Ireland notation notes Oliveros's panpipe Paul Simon Pauline Oliveros performance Peter Piano pieces pitch play players political popular music postcolonial postmodernism Press problem Publications Smith Publications quotation Rhoma Irama score Scratch Orchestra serial sing Smith Publications Smith social society song Sonic Meditations sound Stockhausen Serves Imperialism string quartet style tape theory Thousand Nails traditional translated Univ University voice Volans's Western culture Western music White Man Sleeps writes York Zulu