Theatre of the book, 1480-1880: print, text, and performance in Europe
Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); anexamination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the moderntheatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatricalephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.
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Note on Editions Spellings Translations and Citations
sity for fig17 the British Library for figs 18263451 the Billy Rose Theatre Col
Foundations for fig 29 the Department of Prints and Drawings British Museum
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe
Julie Stone Peters
Limited preview - 2003
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro Chapter characters classical collection Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio French frontispiece genres gesture Harvard University Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language later letters literary livres Lope Lope de Vega Lord Chamberlain manuscript medieval Moliere narrative Oeuvres offer Paris patrons performance Plautus playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre Theatre Italien theatrical Thomas tion tragedy trans troupe Vitruvius words writes wuvre