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Modern Architecture and the Eclipse of History
Architecture as Indifferent Object and the Crisis
the critical Value of the Image
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able accept activity already ambiguity analysis architects architecture artistic attempt avant-gardes become building carried century choices Classicism clear communication completely concept condition construction contemporary context continuity contradictions course crisis criticism culture defined direct elements entire example existence experiences experimental expression fact figurative function future give Gothic hand historian human ideal ideology images important interest interpretation introduced Italy language limits linguistic London meaning methods Milan Modern Movement myth nature object observer offered operative opposite organism particular past perception phenomena planning position possible present problem production pure question reading realised reality reason recognised reference relation role Rome seems sense side situation space specific structure studies symbolic task theme theory town tradition turn urban values writes