Thomas Eakins: Art, Medicine, and Sexuality in Nineteenth-century Philadelphia

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Yale University Press, Jan 1, 2007 - Art - 194 pages
The life and work of Thomas Eakins (1844–1916), America’s most celebrated portrait painter, have long generated heated controversy. In this fresh and deeply researched interpretation of the artist, Amy Werbel sets Eakins in the context of Philadelphia’s scientific, medical, and artistic communities of the 19th century, and considers his provocative behavior in the light of other well-publicized scandals of his era. This illuminating perspective provides a rich, alternative account of Eakins and casts entirely new light on his renowned paintings.
Eakins’ modern critics have described his artistic motivations and beliefs as prurient and even pathological. Werbel challenges these interpretations and suggests instead that Eakins is best understood as an artist and teacher devoted to an exacting and profound study of the human body, to equality for women and men, and to middle-class meritocratic and Quaker philosophies.
 

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Contents

CHAPTER ONE From Benjamin Franklin to Thomas Eakins
1
CHAPTER TWO The Agnew Clinic The Gross Clinic
28
CHAPTER THREE Body Casts and Anatomical Eyes
53
CHAPTER FIVE Scandalous Exposures
126
CONCLUSION
145
NOTES
162
82
189
Copyright

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About the author (2007)

Amy Werbel is professor of fine arts, St. Michael’s College, Colchester, VT. She has studied and written extensively on Thomas Eakins for twenty years.

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