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o j o 4 c
Barong Berutuk a Village Form
The Ketewel Masks a Court Form
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agem Anak Agung ancestors angsel arms art form Arya associated audience babad Bali Bandem Batara believed Blahbatuh body bondres Brahmana called carved carver ceremony characters choreography clowns costume court courtly cultural curtain dalang dalem dance drama dance form dancer dancing roles demonic descent group Dewa dramatic structure elements figure foot function gambuh gamelan Gelgel gestures Gianyar giving gods gongan hand high priest interpreted Janggus Javanese kancut Kawi kayu Ketut Kantor Ketut Rinda king Klungkung language lantang learning literary lontar low Balinese magical Majapahit mantras masked dance mudras offerings padanda Patih Madu patterns penasar cenikan penasar kelihan performance of topeng position present punia Raja referred relationship rites ritual obligations sacred saput seems Sida Karya social spirits story style symbolic taksu teacher temple texts theatrical topeng dancers topeng keras topeng pajegan tradition village vocal walk wayang kulit Yadnya Zurbuchen 1981