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Craft Creativity and Critical Practice
facilitating radical change
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Aboriginal Adirondack Adirondack Park Adirondackland Adrian Forty aesthetic African American Craft ancient Andreas Huyssen Anni Albers Art Gallery artefacts Australia avant-garde batik Bauhaus Bradford Britain camouflage centre century Chinese cloth colonial colour contemporary art context craft practice created creativity critical cultural decorative Diana Wood Conroy emerged Ernabella essay ethnic everyday exhibition experience expression fabric fibre functional Hong Kong human hybrid identity images India industry innovation installation Jemima Khan KAPDA Kay Lawrence kitsch land landscape living London Maithali material modern modernist Museum Ngarrindjeri objects origin painting Paphos past political postcolonial postmodernism printed production quilt saris shalwar kameez Shonibare's significant silk skills social society South Asian space structure sub-continent Susie Brandt Sydney symbolic tapestry techniques temporality textile art textile artists thread tion tradition transformed University Press visual arts Water Tower weavers weaving Western women woven Yinka Shonibare Yvonne Koolmatrie