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Craft Creativity and Critical Practice
Facilitating Radical Exchange
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Aboriginal Adirondack Park Adirondackland Adrian Forty aesthetic African ancient Andreas Huyssen Anni Albers Art Gallery artefacts Australia avant-garde batik Bauhaus Bradford Britain camouflage centre century Chinese cloth colonial colour contemporary art context craft practice created creativity critical cultural decorative Diana Wood Conroy dress Ernabella essay ethnic everyday exhibition fabric fibre Hong Kong human hybrid identity illus India Indigenous industry innovation installation ISBN Jemima Khan KAPDA Kay Lawrence land London loom weight material modern modernist Museum Ngarrindjeri objects origin painting Paphos past political postcolonial postmodernism production quilts recognised saris shalwar kameez Shonibare's significant silk skills social society Solvig Baas South Asian space spindle structure sub-continent Susie Brandt Sydney symbolic tapestry techniques temporality textile art textile artists thread tion tradition transformed University Press Victorian Philanthropist's Parlour visual arts water towers weavers weaving Western whorls women woven Yinka Shonibare Yvonne Koolmatrie