Tragedy and After: Euripides, Shakespeare, Goethe |
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Contents
Introduction | 3 |
Repudiations of the Tragic | 13 |
Euripides Shakespeare Goethe | 19 |
The Birth of Tragedy | 25 |
Towards Antitragedy | 42 |
Towards Posttragedy | 54 |
From Tragic to Antitragic Closure | 93 |
Hamlet or the SlaveMoralist Turned Ascetic Priest III | 111 |
The Posttragic Vision of Romance | 129 |
From King Lear to The Two Noble Kinsmen | 141 |
Goethes Transcendence of Tragedy | 155 |
Conclusion | 189 |
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Common terms and phrases
action Aeschylus already answer Apollo appear Aristotle audience become beginning birth called cause character Christian close complete concept concern course critics dead death described divine drama Electra Elizabethan equally Essays Eteocles eternal Euripides evil example fact father Faust fear final force give gods Goethe Greek Greek tragedy Hamlet hand heaven hell human imagination instance justice kill King Lear learned least less live London madness Marxism means mind Montaigne moral mother murder nature never Oedipus Orestes philosopher play playwright poet Poetics present Press protagonist question reason rebirth remains reveal revenge role romances Sacontala scene seems sense Shakespeare share similar simply Sophocles story suffering suggests Tale tells theatre things thought tion traditional tragedy tragic true turn understanding University vision writes York Zeus