Transnational Cinema: The Film ReaderElizabeth Ezra, Terry Rowden Taylor & Francis, 2006 - 213 pages Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections:
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Table des matières
FROM NATIONAL TO TRANSNATIONAL CINEMA | 13 |
Authentic African Cinema | 27 |
Politics of Transnationality in the New Indian Cinema in English | 57 |
GLOBAL CINEMA IN THE DIGITAL AGE | 71 |
MOTION PICTURES FILM MIGRATION | 109 |
French | 131 |
the Hong Kong Cinema | 143 |
Towards | 157 |
Horror Dystopia Thriller | 181 |
Homi K Bhabha Terror and After | 197 |
Expressions et termes fréquents
accented cinema accented films accented style aesthetic African cinema African films American argued artistic audiences authentic Battle of Algiers become beur Bombay Boys borders Bourdieu British Bruce Lee capital Chinese cinematic production colonial concept contemporary critical critique cultural production diaspora director discourse displaced diversity dominant economic emerging essay ethnic European example exile experience feminist film industry film's filmmakers French gender genre global Higson Hollywood homeland Hong Kong cinema hybrid Hyderabad Blues hyphen images immigration Indian cinema Internet Jackie Chan Jackson Jet Li kung fu London Lucas marketing Mumbai Naficy narrative nation-state national cinema national identity nationalist noir participatory political terrorism popular post-Third-Worldist postcolonial practices representation romance Routledge sexual social specific Star Wars strategies studios terrorist theaters Third Cinema Third-World Third-Worldist tourist tradition transnational cinema transnational documentaries transnationalism University Press voice-over Western Willemen women Xala Yeelen York