Traveling spirit masters: Moroccan Gnawa trance and music in the global marketplace
A group of ritual musicians and former slaves brought from sub-Saharan Africa to Morocco, the Gnawa heal those they believe to be possessed, using incense, music, and trance. But their practice is hardly of only local interest: the Gnawa have long participated in the world music market through collaborations with African-American jazz musicians and French recording artists. In this first book in English on Gnawa music and its global reach, author Deborah Kapchan explores how these collaborations transfigure racial and musical identities on both sides of the Atlantic. She also addresses how aesthetic styles associated with the sacred come to inhabit non-sacred contexts, and what new amalgams they produce. Her narrative details the fascinating intrinsic properties of trance, including details of enactment, the role of gesture and the body, and the use of the senses, and how they both construct authentic Gnawa identity and reconstruct historically determined relations of power. Traveling Spirit Masters is a captivating and elucidating demonstration of how and why trance--and indeed all sacred music--is fast becoming a transnational sensation.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Gesture and Word in Trance Time
1 other sections not shown
Other editions - View all
Abdellah El Gourd aesthetic African American African diaspora Aisha Aisha Qandisha al-Ghazzali baraka become Berbers blues body Brittany called Celtic Chaouqi color context Couliano create cultural dance Deborah Kapchan discourse dream embodied emotional epiphany Erlmann experience fall Fatna Feld festival French gestures global Gnawa ceremonies Gnawa music Gnawa musicians Gnawi Griaule hajhuj Hakmoun Hassan healing Ibn al-'Arabi identity images imagination incense inhabit invoked Islamic jazz jinn jnun Lalla language lila listening lived luha m'allem Maghnia magic Marrakech Mauss memory metaphor Mohammed Monk Moroccan Arabic Morocco mqaddema narration narrative night nonetheless notes olfaction Paques Paris performance play possession trance propitiation Qur'an Rabat Randy Weston realm relation rhythm ritual sacred says sense Sidi Mimun Sidi Musa slave slavery social songs sound spirit possession Sudan Sufi symbolic Tangier Thelonius Monk tion told tradition trance music trancers transformation voice woman women words world music world music market