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Perspectives on the worlds of Brecht and Soyinka
Analyses of Soyinkas selected plays
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Aafaa African alienation altruism Anikura Anna Fierling anti-heroic anti-heroic propensities anti-tragic apparently articulates aspect asserts attempts audience Azdak Baal Beggar's Opera Bentley Bero Bero's Bertolt Brecht blasphemous bourgeois Brechtian Brechtian drama called Capitulation Caucasian Chalk Circle characters Collected Plays Volume comic concept death dialectical divine dramaturgy effect Eilif elaborates Elesin Eman Eman's embodiment epic theatre epitomized Eric Bentley exploitation expresses this phenomenon father Galileo gods Goodwoman Grusha hero heroic heroism human conditions Ibid ideological Ifada Kattrin King's Horseman literary Macheath Madmen and Specialists man's manifestations Marxist means mendicants messianic metaphysical moral Mother Courage Murano Negritude Nigerian Ogun Ogunba Olunde Opera Wonyosi paradox parody particularly Peachum perhaps perspective Pilkings playwright Polly portrayal Professor proletarian protagonists recantation regard ridicule ritual Road role satiric says Schweykian seemingly seems Setzuan Shui society Song Strong Breed suggests Sunma Swiss Cheese symbolic tantamount Threepenny Opera tion traditional tragedy tragic Verfremdungseffekt Wole Soyinka words Yoruba