Understanding I.A. Richards' Principles of Literary Criticism

Front Cover
Atlantic Publishers & Dist, 2002 - 247 pages
0 Reviews
No Treatment Of Modern Criticism Is Possible Without Discussing I.A. Richards, Since In The Most Literal Sense His Influence Combined With That Of T.S. Eliot And F.R. Leavis Served To Create It. As One Of Seminal Thinkers Paving The Way For The Development Of New Criticism, Richards Made A Systematic Attempt To Formulate A Theory Of Poetry In Consonance With The Demands Of Modern Scientific Thought.The Present Book Stems From The Need To Offer An Objective Appraisal Of Richards Thought System In The Context Of The Evolution Of His Ideas In Foundations Of Aesthetics, The Meaning Of Meaning, Principles Of Literary Criticism, Science And Poetry (Later Reissued As Poetries And Sciences) And Practical Criticism. In The Context Of Wide-Spread Misinterpretations And Distortions Of Richards Point Of View, The Author Has Tried Throughout This Inter-Disciplinary Work To Allow Richards To Speak For Himself. While Unfolding The Subtle, Suggestive And Consistent Nature Of Richards Early Writings, The Book Studies His Criticism Of Modern Poets Like T.S. Eliot, W.B. Yeats, G.M. Hopkins, Thomas Hardy And D.H. Lawrence. The Chapter On Practical Criticism Throws Light On Richards Technique Of Evaluating Poems And Teaches The Art Of Appreciating Poetry.
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Introductory Section
1
Richards
22
Richards General Theory of Value and Poetic
106
RichardsCriterion of Literary Value
120
Richards Theory of Badness in Poetry
134
Richards on the Two Uses of Language
142
The Problem
150
Richards on Modern Poets
176
Practical Criticism
201
In Defence of Richards Early Critical Writings
229
Copyright

Common terms and phrases

Bibliographic information