Unediting the Renaissance: Shakespeare, Marlowe, Milton
Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar.
Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'.
Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read.
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INTRODUCTION The blueeyed witch
TEXTUAL INSTABILITY AND IDEOLOGICAL DIFFERENCE The case of Doctor Faustus
PURITY AND DANGER IN THE MODERN EDITION The Merry Wives of Windsor
THE EDITOR AS TAMER A Shrew and The Shrew
BAD TASTE AND BAD HAMLET
Other editions - View all
actors appears argument associated audience authorship bad quartos Bihliography blue eyes Cambridge University Press century cited Clarendon Press conceptualized considerahle copy corrupt court critics culture discussion Doctor Faustus Donne's E. K. Chambers earlier early modern editors Elizabethan England English Eric Sams F TLN Falstaff Faustus's folio version Greg's haue Hesperides historical hlue-eyed interpretation John John Donne John Dover Wilson language least literary London manuscript manuscript culture Marlovian Marlowe materials memorial reconstruction Merry England Merry Wives MerryWives Milton modern editions noted offers oral original Oxford performance Petruchio play play's playtext Poems poet poet's portrait frontispiece present Ql Hamlet quarto version readers recent references Renaissance reprinted revision ritual scene scholars seventeenth-century Shakespeare Shrew Sir John Gilbert's Skimmington speech stage standard editions suggest Sycorax Taming textual theater theatrical traditional twentieth-century verse volume W. W. Greg Wertenherg Wittenherg Wives of Windsor York