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aesthetic analysis Angel Rama Antonio Cornejo Polar Arguedas artistic avant-garde Bakhtin Bakhtinian become Bhabha colonial concept constituted construction consumption contemporary context Cornejo Polar Critica Literaria Latinoamericana critical critique cultural heterogeneity cultural hybridity Culturas hibridas deconstruction dialogism discourse diverse epistemological essay ethnic fait divers Fernando Ortiz forms Garcia Canclini genre global Haitian hegemonic heteroglossia historical human Hybrid Cultures hybridity identity ideological institution of art Jose Journal de Montreal language Latin American cultural Latin American literature Lima linguistic literary literature magic realism Martfs Marti mass culture Maya priests Maya religion memory mestizaje mestizo migrant modernity movements multicultural narrative novel Obasan Ortiz particular perspective political popular culture position postcolonial postmodern practices production race racial Rama's refers relation representation Revista de Critica sense social society space specific strategy subaltern symbolic syncretism theoretical theory tradition Transculturacion transculturation transformation translation University Press words writing
Page 4 - It is a mixture of two social languages within the limits of a single utterance, an encounter, within the arena of an utterance, between two different linguistic consciousnesses, separated from one another by an epoch, by social differentiation or by some other factor.
Page 3 - taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived its socially charged life; all words and forms are populated by intentions.