Universe of Stone: A Biography of Chartres Cathedral

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Harper Collins, Jul 1, 2008 - Architecture - 336 pages
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Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.

By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

 

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A Fascinating Biography of Chartes Cathedral

User Review  - Brian, Merch - Borders

For the lovers of BRUNELLESCHI’S DOME and MICHELANGELO AND THE POPE’S CEILING, or even of Huysman’s CATHEDRAL, this biography of Chartres Cathedral will prove a delight. Read full review

Contents

The Isle Rises
8
A Change of Style
23
Heaven on Earth
52
Seek Not to Know High Things
69
Building by Numbers
100
Masters of Works
136
Hammer and Stone
170
Underneath the Arches
193
Holy Radiance
233
Hard Labour
256
A New Beginning
281
Notes
292
Bibliography
306
Index
313
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About the author (2008)

Philip Ball's book Bright Earth: Art and the Invention of Color was a finalist for the National Book Critics Circle Award; his Critical Mass: How One Thing Leads to Another won the UK's Aventis Prize. He is a consulting editor for Nature magazine, and he lives in London.

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