Unpacking Duchamp: Art in Transit
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect--and greater controversy--than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.
Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to material that mimics art without being readily classifiable as such. Her book questions his paradoxical renunciation of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works including The Large Glass, Fountain and Given 1) the waterfall, 2) the illuminating gas.
Duchamp, a poser and solver of problems, occupied himself with issues of genre, gender, and representation. His puns, double entendres, and word games become poetic machines, all part of his intellectual quest for the very limits of nature, culture, and perception. Judovitz demonstrates how Duchamp's redefinition of artistic modes of production through reproduction opens up modernism to more speculative explorations, while clearing the ground for the aesthetic of appropriation central to postmodernism.
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aesthetic allusion Anemic Cinema appearance art object artistic production Arturo Schwarz becomes bicycle wheel Bride Stripped Bride Stripped Bare Cabanne canvas challenge chance character chess color conceptual context Courtesy of Arturo Cubism Dada defined Descending a Staircase door Drain Stopper drawing Duchamp explains Duchamp's efforts Duchamp's interest Duchamp's ready-mades economic embodies emerges eroticism explore figurative Fountain function gaze gender Given hinge infrathin inscribes insofar intervention involves Jean Clair John Cage language Large Glass Leonardo's linguistic literal logic Louise and Walter Marcel Duchamp Masheck meaning mechanical reproduction medium modes mold Mona Lisa Museum of Art notion of artistic Nude Descending Octavio Paz original painter painting Philadelphia Museum photographic plastic poetic portrait potential puns question reflects representation Rrose Selavy sculpture sculpture-morte sexual signature significant spectator strategic Thierry de Duve tion traditional Tzanck Check urinal Valise viewer visual Walter Arensberg Walter Arensberg Collection William Roth