Vergleich der aktiven Frauenfiguren in J.M. Synges "In The Shadow of the Glen", J. Galsworthys "Strife" und S. Houghtons "Hindle Wakes"
GRIN Verlag, 2007 - 60 pages
Studienarbeit aus dem Jahr 2005 im Fachbereich Anglistik - Literatur, Note: 2, Universitat Rostock, 12 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Der Naturalismus im Drama ist eine zu Unrecht vernachlassigte Literaturperiode in Grossbritannien und Irland. Drei der interessantesten Stucke werden hier untersucht und insbesondere auf die Darstellung ihrer Frauenfiguren hin untersucht."
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John Galsworthy Strife 1909
Stanley Houghton Hindle Wakes 1912
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afeard Akt III aktiven Frauenfiguren Alan zu heiraten alten Hausmädchen altmodisch Annie Roberts Annies Tod Arbeiter Ausflug Beatrice Farrar behütet aufgewachsen beiden bringt Enid chance chap Charaktere David Roberts drei Frauen EDGAR Ehefrau Ehemann Einsamkeit Enid Underwood Entscheidung eyes Fabrik Familien Fanny Hawthorn Frauenfiguren in J.M. Galsworthys Strife Gespräch getting old gibt girl Goldman Good GRIN Verlag hair hard Haus head heed Houghtons Hindle Wakes Ideal J.M. Synges John Anthony John Galsworthy John Millington Synge Klasse know konnten Kurzinhalt Leben liebt London look Madge Thomas make Mann marry Meinung Michael Dara Moral Mutter Naturalismus never new woman Nora Burke old-fashioned Patch Darcy Position saying schließlich sexuelles sheep sitting Situation sozialer Stanley Houghton stranger Streik beendet Streikenden Stück suffering Szene take talk tell that’s there’s Tochter Tramp Trotzdem Überzeugung Vater Vergleich der aktiven verheiratet Verlobter versucht verzeiht Vorstandsmitglieder waiting wenig wind crying work you’re
Page 7 - And saying to myself another time, to look on Peggy Cavanagh, who had the lightest hand at milking a cow that wouldn't be easy, or turning a cake, and there she is now walking round on the roads, or sitting in a dirty old house, with no teeth in her mouth, and no sense and no more hair than you'd see on a bit of a hill and they after burning the furze from it.
Page 22 - I'm old-fashioned. Oldfashioned people used to think that when a man treated a girl as you have treated Fanny, it was his duty to marry her. Alan. You aren't going to talk to me like father, Bee? Beatrice. Yes. But with your father it is only a fad. You know it isn't that with me. I love you, and I believe that you love me. And yet I am asking you to give me up for Fanny.
Page 7 - ... the mists rolling down the bog, and the mists again and they rolling up the bog, and hear nothing but the wind crying out in the bits of broken trees were left from the great storm, and the streams roaring with the rain.
Page 19 - I'ma woman, and you were my little fancy. You wouldn't prevent a woman enjoying herself as well as a man, if she takes it into her head ? ALAN.
Page 7 - It's a pitiful thing to be getting old, but it's a queer thing surely. It's a queer thing to see an old man sitting up there in his bed with no teeth in him, and a rough word in...
Page 8 - I'm after knowing they were fine men, for I was a hard child to please, and a hard girl to please (she looks at him a little sternly), and it's a hard woman I am to please this day, Michael Dara, and it's no lie I'm telling you.
Page 22 - BEATRICE. I'm not being personal, Alan. I'm old-fashioned enough to really believe there is that difference. You see, men have never had to exercise self-control like women have. And so I'm oldfashioned enough to be able to forgive you. ALAN. To forgive me, and marry me, in spite of what has happened, and in spite of your father and mine ? BEATRICE. I care nothing for my father or yours. I care a good deal for what has happened, but it shows, I think, that you need me even more than I need you. For...
Page 19 - That didn't occur to you? ALAN. It didn't. FANNY. You never thought that anybody else could be as selfish as yourself. ALAN. I may be very conceited, but I don't see how you can hurt yourself by wedding me. You'd come in for plenty of brass, anyhow. FANNY. I don't know as money's much to go by when it comes to a job of this sort. It's more important to get the right chap.