Variationen des Frankensteinthemas in der amerikanischen Fernsehserie "Star Trek"

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GRIN Verlag, 2007 - 96 pages
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Examensarbeit aus dem Jahr 2004 im Fachbereich Anglistik - Literatur, Note: 2,0, Eberhard-Karls-Universitat Tubingen (Neuphilologie Abt. Amerikanistik), 32 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die Beliebtheit der Serien des Star Trek Universums druckt sich schon allein darin aus, dass inzwischen funf spin offs der Originalserie existieren. Zu den inzwischen uber 600 Folgen aller Serien wurden bis zum heutigen Tag zehn Kinofilme gedreht, die allesamt zu Kassenschlagern wurden. Dieser Erfolg ist unter anderem auch auf die grosse Beliebtheit des Frankensteinthemas zuruckzufuhren. Hierbei wird in Star Trek nicht nur das Motiv des kunstlichen Menschen ubernommen, sondern auch Shelleys Kritik an Gesellschaft und Wissenschaft, sowie die Frage danach, was den Menschen ausmacht und wann ein Wesen Menschenrechte besitzen muss. Die Analyse der ausgewahlten Hauptcharaktere wird einerseits deren grundsatzlichen Anlage in der jeweiligen Serie, jedoch auch konkrete Beispiele aus verschiedenen Folgen heranziehen, in denen Parallelen und Abweichungen zu Frankenstein aufgezeigt werden konnen. Die Analyse des Romanes grundet sich auf die Ausgabe von 1831, da es sich hierbei um die starker rezipierte Ausgabe handelt. Da sich eine solche vergleichende Analyse stets auf den ursprunglichen Text berufen muss, werden zuerst die mythischen Grundlagen in Form des Prometheusmythos, die Shelley bei der Erschaffung ihrer Kreatur beeinflussten, untersucht. Hierbei werden Parallelen und Unterschiede zwischen Frankenstein und Prometheus herausgearbeitet, um sie spater mit Figuren aus Star Trek vergleichen zu konnen. Da es die Werke der mittelalterlichen Alchemisten sind, die Frankensteins Forscherdrang wecken und durch die er die Idee der Schaffung einer kunstlichen Kreatur zum ersten mal kennen lernt, wird auch auf deren Werke eingegangen werden. Im Zuge der Darstellung von Shelleys Wissenschaftskritik wird es notwendig sein, die Situation der Wissenschaft zu Zeiten Shelle"
 

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Page 29 - So saying, on he led his radiant Files, Dazzling the Moon ; these to the Bower direct In search of whom they sought: him there they found Squat like a Toad, close at the ear of Eve ; Assaying by his Devilish art to reach The Organs of her Fancy, and with them forge Illusions as he list, Phantasms and Dreams, Or if, inspiring venom, he might taint Th...
Page 28 - Like Adam, I was apparently united by no link to any other being in existence ; but his state was far different from mine in every other respect. He had come forth from the hands of God a perfect creature, happy and prosperous, guarded by the especial care of his Creator ; he was allowed to converse with, and acquire knowledge from, beings of a superior nature : but I was wretched, helpless, and alone.
Page 6 - His limbs were in proportion, and I had selected his features as beautiful. Beautiful ! Great God ! His yellow skin scarcely covered the work of muscles and arteries beneath ; his hair was of a lustrous black, and flowing ; his teeth of a pearly whiteness...
Page 11 - It is even possible, that the train of my ideas would never have received the fatal impulse that led to my ruin. But the cursory glance my father had taken of my volume by no means assured me that he was acquainted with its contents ; and I continued to read with the greatest avidity.
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Page 28 - But Paradise Lost excited different and far deeper emotions. I read it, as I had read the other volumes which had fallen into my hands, as a true history. It moved every feeling of wonder and awe that the picture of an omnipotent God warring with his creatures was capable of exciting.
Page 32 - These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous, and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle, and at another as all that can be conceived as noble and godlike.
Page 32 - Es leuchtet! seht!- Nun läßt sich wirklich hoffen. Daß, wenn wir aus viel hundert Stoffen Durch Mischung- denn auf Mischung kommt es an Den Menschenstoff gemächlich komponieren. In einen Kolben verlutieren Und ihn gehörig kohobieren, So ist das Werk im stillen abgetan.

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