Venice and the Islamic World, 828-1797

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Yale University Press, 2007 - History - 374 pages
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From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world.

Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.

 

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Venice and the Islamic world, 828-1797

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Edited by a curator with the Metropolitan Museum of Art's Department of Islamic Art, this catalog accompanies an exhibition at both that museum in New York and L'Institut du Monde Arabe (The Arab ... Read full review

Contents

Forewords
6
JeanClaude Hocquet
37
Venice and the Islamic World in Light of Archival Documents
52
Deborah Howard
73
Art in the Art of Diplomacy 14531600
90
Orientalist Painting in Venice 15th to 17th Centuries
120
Pigments in Venetian and Islamic Painting
140
Walter B Denny
175
The Role of Jewish Merchants
204
Master Mahmud and Inlaid Metalwork in the 15lh Century
212
A Scientific Perspective
226
Adriana Rizzo
245
Enameled Glass between the Eastern Mediterranean and Venice
252
Influence of the Islamic Tradition on the Chemistry and Technology of Venetian Glass
276
ill Catalogue of Exhibited Works
294
Copyright

Ottoman or Italian Velvets? A Technical Investigation
192

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About the author (2007)

Stefano Carboni is Curator and Administrator in the Department of Islamic Art at The Metropolitan Museum of Art.

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