Victorian Afterlives: The Shaping of Influence in Nineteenth-century Literature"Questions of survival were much discussed during the nineteenth century, in terms that ranged from personal immortality to the more dispersed and unpredictable after-effects of particular words and deeds. Some of these questions emerged in the intellectual and stylistic preoccupations of individual writers. Others contributed towards the cultural atmosphere these writers shared, in which shifting and overlapping ideas of 'influence' (from the seductive touch of the mesmerist to the contagious breath of the poor) became central to attempts to work out how far-reaching were the effects which people had on one another and themselves." "Victorian Afterlives sets out to recover this atmosphere, and to explain why its pressures are still being exercised on and in our own ways of thinking. Moving freely between different fields of enquiry (including literary criticism, philosophy, and the history of science), and written in a lively and accessible style, this major new study redraws the map of nineteenth-century culture to show what the Victorians made of one another, and what they might help us make of ourselves."--BOOK JACKET. |
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Turinys
Forms of Survival | 7 |
PERSONS AND POEMS | 16 |
INFLUENCE AND ANXIETY | 18 |
MULTIVERSES | 52 |
A DISTANT RINGING HUM | 77 |
Vo1ces in the Air | 83 |
ONE VAST LIBRARY | 94 |
THE MORAL ATMOSPHERE | 115 |
THE RETURN OF THE MIND UPON ITSELF | 197 |
THE GROWTH OF SONG | 230 |
A VITAL SYMPATHY | 257 |
Edward FitzGerald Under the Influnce | 268 |
THE CONSTANT APPEAL OF TIME | 276 |
A CERTAIN CONSCIOUSNESS | 299 |
TOGETHER | 317 |
Afterword | 340 |
SNATCHES OF OLD TUNES | 143 |
HOPE IN DUST | 167 |
Tennysons Sympathy | 180 |
Bibliography | 344 |
365 | |
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afterlife answer appear attempts become Bloom body breath claims continued critical cultural dead death described drawing dust earlier echoes edition effects EFGL equally Essays example Expectations experience explained expression eyes feel FitzGerald further future Hallam hand heart hope human idea imaginative individual influence John Keats language later less letter lines literary living means Memoriam memory mind moral narrative nature never notes once original particular past person physical poem poet poetic poetry points possible present provides question quoted readers reflect relations remain repr response returns revision rhyme seems sense separate shape shared social soul sound space speak speaker speech spirit strange suggests sympathy Tennyson things thought translation true turn verse Victorian voice vols writing