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ART AND LIFE
AN ESSAY IN ESTHETICS
THK OTTOMAN AND THE WHATNOT
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abstract actual admiration aesthetic already appearance architecture aroused artist Assisi Baroque art beauty become Bernardo Daddi bronze Bushman Byzantine century Cezanne Cezanne's Cimabue civilisations classic Claude Claude's colour complete composition conceived conception conscious contour Cosmati creative Crucifixion Cubism curious decorative Diirer's dramatic drawing early effect emotions entirely expression fact Fatimite feeling figure Francis frescoes gesture Giotto give Greco human idea imaginative Ingres instance instinctive intellectual Italian kind less look Marchand mass master means merely modern Mohammedan movement natural forms never objects once original PABLO PICASSO painter painting palmette passion Paul Cezanne peculiar perfect perhaps picture plastic Plate Post-Impressionist primitive purely reaction realised recognise regard relations relief Rembrandt Renaissance Renoir representation rhythm Roman school Sassanid Sassanid art scene sculpture seems seen sense shows style suppose symbols TAROCCHI taste things tion tradition Uccello unity Vasari verisimilitude vision Walter Sickert whole