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Art and Life Page
An Essay in Esthetics
The Ottoman and the Whatnot
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abstract actual admiration aesthetic already appearance architecture aroused artist Assisi Baroque art beauty become Bernardo Daddi bronze Bushman Byzantine century Cezanne Cezanne's Cimabue civilisations classic Claude Claude's colour complete composition conception conscious contour Cosmati creative Crucifixion Cubism curious decorative Diirer dramatic drawing Durer's early effect emotions entirely expression fact Fatimite feeling figure Francis frescoes generalised gesture Giotto give Greco hand human idea imaginative Ingres instance instinctive intellectual Italian kind Leonardo da Vinci less look mass master means merely modern movement natural forms never objects once original painter painting palmette passion peculiar perfect perhaps pictorial picture plastic poses Post-Impressionist primitive purely reaction realised recognise regard relations relief Rembrandt Renaissance Renoir rhythm Roman school Sassanid Sassanid art scarcely scene scientific sculpture seems seen sense shows style suppose symbols Tarocchi taste things tion tradition Ucello unity Vasari verisimilitude vision Walter Sickert whole