War without Mercy: Race and Power in the Pacific War

Knopf Doubleday Publishing Group, 28 de mar. de 2012 - 416 páginas
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WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.”

In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.”
Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most ... with eloquence, crushing detail, and power.”


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Comentário do usuário  - 9inchsnails - LibraryThing

A powerful case for the argument that racism played as big a role in the Pacific theater as it did in the European, but Dower devotes more of his resources to detailing American racism, leaving the ... Ler resenha completa

LibraryThing Review

Comentário do usuário  - KirkLowery - LibraryThing

This book relates the emotional and psychological environment of the Pacific war between the Allies and Japan. What it shows is that Japan and the US were/are the same: racist, using many of the same ... Ler resenha completa


Patterns of a Race War
Know Your Enemy
War Hates and War Crimes
Apes and Others
Lesser Men and Supermen
Primitives Children Madmen
Yellow Red and Black Men
The Demonic Other
Global Policy with the Yamato Race as Nucleus
From War to Peace
Picture Credits
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Sobre o autor (2012)

JOHN W. DOWER, born in 1938, is the Henry Luce Professor of International Cooperation and Global Stability at the Massachusetts Institute of Technology. He is the author of Empire and Aftermath: Yoshida Shigeru and the Japanese Experience, 1878–1954 and The Elements of Japanese Design, and is the editor of The Origins of the Japanese State: Selected Writings of E. H. Norman and coeditor of The Hiroshima Murals: The Art of Iri Maruki and Toshi Maruki.

Informações bibliográficas