Warum "Das Parfum" duftet ohne zu riechen: Literarisch - filmische Sinn-Versinnbildlichung und "intersensuale" Einschreibungen als Formen der Übersetzung

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GRIN Verlag, 2011 - 72 pages
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Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Komparatistik, Vergleichende Literaturwissenschaft, Note: 1,0, Leopold-Franzens-Universitat Innsbruck, Sprache: Deutsch, Abstract: This study is an investigation of Tom Tykwers film adaption "Das Parfum" based on the homonymous novel by Patrick Suskind. The aim of the investigation is to explicate how the depiction of the olfactory sense operates although or just because of the specific means of the "non-smelling" medium "movie."
 

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Contents

Einleitung S
i
Das Parfum S
9
Untersuchung der Übersetzungsformen S
14
Schluss S
29
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